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WINFEST 26-A worthwhile experiment and a lot of
fun.
WINFEST 26 was the first such event
to be held in Winsham and began as an experiment, but proved to
be a very successful—and a great deal of fun for everyone
involved.
The purpose of the festival was to celebrate
and support the talents, skills and interests of the people of
the parish, young and old. It was held between September 26th
and October 10th 2026 .The
foundation stone upon the festival would be structured was the
annual Winsham Art Club Exhibition, the first being held in
1962.
How WINFEST 26 worked
WINFEST 26 was organised through a
deliberately informal and experimental model. There was no
formal committee or bank account; instead, a small team
coordinated the programme and publicity.
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Organisers booked the venues that
best suited their events and covered their own costs where
applicable.
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Jubilee Hall offered a small hire
discount for festival-related events.
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Paula Bramley Ball contributed
ideas, including the name WINFEST 26, and organised the banners
and posters.
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Deborah Harris designed the
festival logo.
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The coordinating team (Paula
Bramley -Ball and John Sullivan) agreed to handle the on-line
publicity for the event during the run-up to, and during
festival event.
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The event was initially planned
to run for one week, but such was the initial response to the
idea, it expanded to two weeks duration-26th
September-October 10th
Around thirty events took place, and
organisers felt their groups had benefited. Few expected an
immediate financial return, although some hoped to attract new
members. Their main aim, apart from demonstrating their skills,
was to introduce their activities and interests to a wider
audience from the parish.
Some organisers made admission charges,
held raffles, or sought voluntary donations. A substantial
sum was donated to Winsham United Charities. Others charged
just to cover their immediate costs. costs
The majority of events offered free admission. The
Jubilee Hall hosted many of the events, and responded by
giving all Festival linked users discounted Hire
costs.
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Deborah
Harris and her evening art group created
perhaps the festival’s most memorable work, the
WINSHAM TAPESTRY. Sections of the design now
appear on Christmas cards and other items in
Winsham Shop, just in time for the festive
season, while the original decorates the walls
of Jubilee Hall. |
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Winsham Art Club sold a record number of
pictures, delighting its members and doubling
the club’s operating reserves. |
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James
Crowden, who organised the Cider Bonanza, donated all ticket
revenue after expenses—around £400—to Winsham United Charities.
Russell Binch, a trustee of the charity, thanked him and briefly
described the support it provides, mainly to younger members of
the community pursuing career and educational development. A
full Jubilee Hall enjoyed two and a half hours of talks—and a
generous supply of cider. James, in his talk, explained how the
development of bottles strong enough to withstand the pressure
of secondary fermentation transformed the English cider market
and influenced sparkling wines in France, including champagne.
Liz Copas, a leading expert on cider apples, then described
current work to develop and improve apple varieties for new
ciders.
Earlier in the week, James Crowden gave
another excellent talk based on his book Literary Somerset.
The festival can also be remembered for the
events that opened and closed its two-week celebration of how
Winsham residents spend their spare time. The opening concert
featured the Kilima Quartet, a group of professional musicians,
and was organised by Polly Orr-Ewing. An enthusiastic audience
of about sixty heard music by Haydn, Beethoven, Borodin and the
Danish String Quartet. The musicianship of the performers and
the beautiful acoustics of St Stephen’s Church combined to
create an unforgettable experience.
The final event was equally memorable.
Jubilee Hall was beautifully arranged for fifty guests, and Kim
Holt, of ‘Pudding Club’ fame, organised an excellent Harvest
Supper with a small team of helpers. The evening ended with a
film recorded at Barrington Court in 2015, showing the Winsham
Players performing Hempen Homespun, their version of A Midsummer
Night’s Dream. It was produced and directed by Stella Abbey, who
is no longer with us. Three other village actors featured in the
film—Robert Shearer, Carl Earl and Phil Kershaw—have also since
died. For those who knew them, the screening was a bittersweet
moment.
Between these two notable events, the
programme remained busy. Introductory sessions offered residents
a chance to try Pilates, yoga, aikido, bridge, short-mat
bowling, modern dance, ballet and the Ad-Hoc exercise group for
seniors. Winsham Horticultural Society also screened a film
about gardens featured in the previous year’s Open Gardens
event, along with many additional photographs.

Michael Colling-a star
of 'Britain has Talent'-a popular TV Show |
Winsham Community Club also staged a live music event
featuring Michael Collings, a star of ‘Britain’s got
talent’ TV programme, which attracted a good audience,
on the middle Saturday evening of the festival, in their
club house on the Recreation Ground.
Chard Inner Wheel’s Winsham branch held a lively ‘Tea
and Dancing’ event at Jubilee Hall, with plenty of
sandwiches and cakes. |
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The Jubilee Café’s well-attended
coffee morning was another cheerful occasion. During it, the
hall chairman noted that Sandy Wells—the hall’s booking
secretary for around twenty-five years and a key person in the
coordinating of the festival—was celebrating a birthday, giving
everyone the opportunity to close the event with a rousing
chorus of ‘Happy Birthday to You’.
St Stephen’s brought a distinctive and
welcome event to the festival by marking the 5 00th
anniversary of William Tyndale’s translation of the New
Testament from Greek into English. A team of 24 volunteers read
aloud in the church for two hours each day over six days, from
Monday to Saturday.
Chloe Besley was one of the volunteers(Right)
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Promoting the
festival
The coordinating team fulfilled its promise
to promote every participating event. From July until the
festival ended, a substantial section of the Winsham Parish
website provided event details, locations, dates and times.
In September, the team highlighted events
expected to attract particular interest while continuing to give
essential coverage to smaller participating groups. The Festival
Newsletter was the main promotional channel: ten editions
appeared on the parish website, supported by daily updates on
the Community Facebook page.
The Marshwood Vale Gazette also published
an excellent article about the festival, in marked contrast to
the local newspapers, which gave it no coverage.
Printed publicity and sponsorship
Paula organised the banners and posters,
which were displayed prominently in Winsham Shop and throughout
the village. She also arranged the printing of hard-copy
programes, available free of charge from Winsham Shop and other
suitable locations.
Winsham Parish Council sponsored the
festival. Although it did not organise an event, the council
contributed £300 towards banners, posters and other printed
materials—a donation that made a significant difference. We
thank the council for its support and believe the parish
received excellent value from its contribution.
JSS (1084)
MORE
PICTURES & POSTERS FROM THE FESTIVAL
JUST
ONE OF THE TEN NEWSLETTERS USED TO PROMOTE THE FESTIVAL

Sponsored by Winsham Parish Council
JUST A WEEK TO GO BEFORE OUR FESTIVAL
STARTS! |
TEN FESTIVAL NEWSLETERS WERE PRODUCED
DURING THE FESTIVALAND THE RUN-UP PERIOD
No.1
5th September
No2 7th September
No 3 11th September |
Click HERE |
No 4
14th September
No 5 18th September
No6 24th September |
Click HERE |
No 7
28th September
No 8 30th September
No 9 5th October |
Click HERE |
| No 10
11th October Click HERE |
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