SPONSORED BY WINSHAM PARISH COUNCIL








 WINFEST 26-A worthwhile experiment and a lot of fun.

WINFEST 26 was the first such event to be held in Winsham and began as an experiment, but proved to be a very  successful—and a great deal of fun for everyone involved. The purpose of the festival was to celebrate and support the talents, skills and interests of the people of the parish, young and old. It was held between September 26th and October 10th 2026 .The foundation stone upon the festival would be structured was the annual Winsham Art Club Exhibition, the first being held in 1962.

How WINFEST 26 worked

WINFEST 26 was organised through a deliberately informal and experimental model. There was no formal committee or bank account; instead, a small team coordinated the programme and publicity.

·       Organisers booked the venues that best suited their events and covered their own costs where applicable.

·       Jubilee Hall offered a small hire discount for festival-related events.

·       Paula Bramley Ball contributed ideas, including the name WINFEST 26, and organised the banners and posters.

·       Deborah Harris designed the festival logo.

·       The coordinating team (Paula Bramley -Ball and John Sullivan) agreed to handle the on-line publicity for the event during the run-up to, and during festival event.

·       The event was initially planned to run for one week, but such was the initial response to the idea, it expanded to two weeks duration-26th September-October 10th

Around thirty events took place, and organisers felt their groups had benefited. Few expected an immediate financial return, although some hoped to attract new members. Their main aim, apart from demonstrating their skills,  was to introduce their activities and interests to a wider audience from the parish.

Some organisers made admission charges, held raffles, or sought voluntary  donations. A substantial sum was donated to Winsham United Charities. Others charged  just  to cover their immediate costs. costs  The majority of events offered free admission. The Jubilee Hall  hosted many of the events, and responded by giving all Festival linked users   discounted Hire costs.

 
Deborah Harris and her evening art group  created perhaps the festival’s most memorable work, the WINSHAM TAPESTRY. Sections of the design now appear on Christmas cards and other items in Winsham Shop, just in time for the festive season, while the original decorates the walls of Jubilee Hall.


 

Winsham Art Club sold a record number of pictures, delighting its members and doubling the club’s operating reserves.

James Crowden, who organised the Cider Bonanza, donated all ticket revenue after expenses—around £400—to Winsham United Charities. Russell Binch, a trustee of the charity, thanked him and briefly described the support it provides, mainly to younger members of the community pursuing career and educational development. A full Jubilee Hall enjoyed two and a half hours of talks—and a generous supply of cider. James, in his talk, explained how the development of bottles strong enough to withstand the pressure of secondary fermentation transformed the English cider market and influenced sparkling wines in France, including champagne. Liz Copas, a leading expert on cider apples, then described current work to develop and improve apple varieties for new ciders.

Earlier in the week, James Crowden gave another excellent talk based on his book Literary Somerset.

The festival can also be remembered for the events that opened and closed its two-week celebration of how Winsham residents spend their spare time. The opening concert featured the Kilima Quartet, a group of professional musicians, and was organised by Polly Orr-Ewing. An enthusiastic audience of about sixty heard music by Haydn, Beethoven, Borodin and the Danish String Quartet. The musicianship of the performers and the beautiful acoustics of St Stephen’s Church combined to create an unforgettable experience.

The final event was equally memorable. Jubilee Hall was beautifully arranged for fifty guests, and Kim Holt, of ‘Pudding Club’ fame, organised an excellent Harvest Supper with a small team of helpers. The evening ended with a film recorded at Barrington Court in 2015, showing the Winsham Players performing Hempen Homespun, their version of A Midsummer Night’s Dream. It was produced and directed by Stella Abbey, who is no longer with us. Three other village actors featured in the film—Robert Shearer, Carl Earl and Phil Kershaw—have also since died. For those who knew them, the screening was a bittersweet moment.

Between these two notable events, the programme remained busy. Introductory sessions offered residents a chance to try Pilates, yoga, aikido, bridge, short-mat bowling, modern dance, ballet and the Ad-Hoc exercise group for seniors. Winsham Horticultural Society also screened a film about gardens featured in the previous year’s Open Gardens event, along with many additional photographs.


Michael Colling-a star of 'Britain has Talent'-a popular TV Show
Winsham Community Club also staged a live music event featuring Michael Collings, a star of ‘Britain’s got talent’ TV programme, which attracted a good audience, on the middle Saturday evening of the festival, in their club house on the Recreation Ground.
Chard Inner Wheel’s Winsham branch held a lively ‘Tea and Dancing’ event at Jubilee Hall, with plenty of sandwiches and cakes.

 The Jubilee Café’s well-attended coffee morning was another cheerful occasion. During it, the hall chairman noted that Sandy Wells—the hall’s booking secretary for around twenty-five years and a key person in the coordinating of the festival—was celebrating a birthday, giving everyone the opportunity to close the event with a rousing chorus of ‘Happy Birthday to You’.

St Stephen’s brought a distinctive and welcome event to the festival by marking the 500th anniversary of William Tyndale’s translation of the New Testament from Greek into English. A team of 24 volunteers read aloud in the church for two hours each day over six days, from Monday to Saturday.

 

Chloe Besley was one of the volunteers(Right)

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Promoting the festival

The coordinating team fulfilled its promise to promote every participating event. From July until the festival ended, a substantial section of the Winsham Parish website provided event details, locations, dates and times.

In September, the team highlighted events expected to attract particular interest while continuing to give essential coverage to smaller participating groups. The Festival Newsletter was the main promotional channel: ten editions appeared on the parish website, supported by daily updates on the Community Facebook page.

The Marshwood Vale Gazette also published an excellent article about the festival, in marked contrast to the local newspapers, which gave it no coverage.

Printed publicity and sponsorship

Paula organised the banners and posters, which were displayed prominently in Winsham Shop and throughout the village. She also arranged the printing of hard-copy programes, available free of charge from Winsham Shop and other suitable locations.

Winsham Parish Council sponsored the festival. Although it did not organise an event, the council contributed £300 towards banners, posters and other printed materials—a donation that made a significant difference. We thank the council for its support and believe the parish received excellent value from its contribution.

JSS  (1084)

 MORE PICTURES & POSTERS FROM THE FESTIVAL

 JUST ONE OF THE TEN NEWSLETTERS USED TO PROMOTE THE FESTIVAL


Sponsored by Winsham Parish Council

JUST A WEEK TO GO BEFORE OUR FESTIVAL STARTS!

TEN FESTIVAL NEWSLETERS WERE PRODUCED
DURING THE FESTIVALAND THE RUN-UP PERIOD

No.1   5th September
No2    7th September
No 3   11th September
Click HERE
No 4   14th September
No 5   18th September
No6    24th September
Click HERE
No 7   28th September
No 8   30th September
No 9    5th  October
Click HERE
No 10  11th October  Click HERE